Fedoskino village artists are also known for their use of inlaid mother-of- pearl to accent their scenes. Many times real gold is used for highlights, either powdered gold is used to guild or thin sheets of 24k gold are placed between layers of paint. The painting is done in layers, with drying between layers, building up the paints to get a fantastic depth of field. Other distinctions in color and style set them apart, but the tradition of miniaturization and fine detail are the same. Fedoskino is the only village/school that paints in oil while Palekh, Kholui and Mstera were formally icon-painting villages and their schools use egg tempera. There are four 'styles' of Russian lacquer miniatures, each produced in a distinct village with its own school of lacquer miniature painting. Traditional Russian Lacquer Miniatures Techniques, Scenes, and Styles The process of making the box itself is very labor intensive and can take up to a month before it is ready to be painted. The box makers, (many who are now the artists themselves) then apply two coats of primer paint and again cure the article in a low temperature oven. The blank boxes are made from a cardboard-like rough paper, formed, pressed, joined, impregnated with linseed oil, and then coated with a red ceramic clay before being baked in an oven to cure.

Another of the standards for an authentic Russian lacquer miniature is that the base article must be done on paper mache which like other techniques of the craft have essentially remained the same for over 150 years. To be considered authentic, these works must have been produced using traditional techniques and materials by an artist that has graduated from one of the four official village schools. Authentic Lacquer Miniatures vs 'Street Boxes' When the communist revolution inhibited religious art, the villages of Palekh, Mstera, and Kholui turned to the painting and production of lacquer boxes as the art form was flourishing. and Kholui villages, which were originally schools of icon painting. Fedoskino, a village near Moscow, established the first school and museum of lacquer miniature art in 1795 and remains one of the four centers of lacquer-box production in Russia, followed by schools in Palekh, Mstera. Originally, the Lukutin and Vishnikov workshops produced the early works, and were so branded these works are still prized today by collectors of pre-revolutionary Russian antiques. Originally a 'peasant art', Russian lacquer art with scenes hand-painted on common practical items like snuff boxes, tea-caddies, match boxes, eyeglass holders and even buttons and bushes, the art form which started in the late 1700's in Russia evolved into more of a fine art in Soviet times, with government sponsorships of the best artists and finer and finer works commissioned by the more elite. What is the History of Russian Lacquered Miniatures?

Russian Lacquer Boxes by Unknown